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The pair of releases released to date by the group Ashnymph defy easy classification: their own description of the sound as “subconscioussion” leaves listeners guessing. Their initial track Saltspreader blended a heavy mechanical drumming – guitarist Will Wiffen has at times appeared on stage in a tee that features the symbol of the trailblazing band Godflesh – with retro-style synths and a guitar line that subtly echoes the classic Stooges track I Wanna Be Your Dog, before transforming into a wall of disquieting noise. The desired impact, the group has mentioned, was to conjure highway journeys, “the ceaseless flow of vehicles 24-hours a day over huge distances … nighttime orange glows”.

Its follow-up, the song Mr Invisible, occupies a space between dance music and left-field alt-rock. For one thing, the song's beat, layers of hypnotic electronics, and lyrics that appear either hallucinogenically distorted or spellbindingly cyclical in a way that recalls Underworld's Dubnobasswithmyheadman period all suggest the club floor. Alternatively, its forceful live-sounding dynamics, near-anarchic character and overdrive – “getting that crisp distortion is a lifelong ambition,” Wiffen has said – mark it out as very much the work of a band rather than a lone electronic artist. They've performed around south London’s DIY scene for under a year, “any spot with loud speakers”.

But both are exciting and different enough – from each other and other current music – to prompt questions about Ashnymph's upcoming moves. No matter what it is, on the evidence of Saltspreader and Mr Invisible, it’s probably not dull.

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